{"id":9557,"date":"2024-02-23T18:40:29","date_gmt":"2024-02-23T18:40:29","guid":{"rendered":"https:\/\/bgsw.pl\/strona-archiwalna\/?p=9557"},"modified":"2024-02-23T18:52:06","modified_gmt":"2024-02-23T18:52:06","slug":"pharmakon-jakub-ciezki-ivo-nikic-ireneusz-walczak-2","status":"publish","type":"post","link":"https:\/\/bgsw.pl\/strona-archiwalna\/en\/pharmakon-jakub-ciezki-ivo-nikic-ireneusz-walczak-2\/","title":{"rendered":"PHARMAKON \/ JAKUB CI\u0118\u017bKI, IVO NIKI\u0106, IRENEUSZ WALCZAK"},"content":{"rendered":"\t\t
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PHARMAKON<\/strong><\/p>

JAKUB CI\u0118\u017bKI\u00a0
IVO NIKI\u0106\u00a0
IRENEUSZ WALCZAK\u00a0
<\/strong>
Curator \/ Roman Lewandowski<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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O[ening<\/span>
7.10.2021 \/ 6pm<\/span>
<\/strong>Centre for Creative Activities in Ustka<\/strong>
\u00a0ul. Zaruskiego 1a
<\/strong><\/p>

Exhibition<\/strong><\/span>
7.10.2021 \u2013 30.01.2022<\/strong><\/span>
Centre for Creative Activities in Ustka
<\/strong>\u00a0ul. Zaruskiego 1a
Small Gallery in S\u0142upsk \/<\/strong>\u00a0ul. Partyzant\u00f3w 31a<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"Ireneusz<\/figure><\/a><\/div>
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CENTRE FOR CREATIVE ACTIVITIES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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The exhibition of works by Jakub Ci\u0119\u017cki, Iwo Niki\u0107 and Ireneusz Walczak is intended to focus on the vocabulary, syntax and \u201calphabet\u201d of the language of painting. The title \u2018Pharmakon\u2019 serves both as a poison and remedy of art in the textual dimension of painting and mainly through the emerging sign. The exhibition is intended to reflect on the phenomenon of textuality in general and the written word in particular. In fact, no story can exist without the written word, regardless of its dubious provenance and the uncertain future it faces. History has shown repeatedly that the written word has the power to kill or save lives. One of the fiercest opponents of writing was Plato, and yet, mercifully, he was the one who saved the teachings of Socrates from oblivion. Plato repeatedly expressed his reluctance to writing in Dialogues. In Phaedrus, the Greek philosopher recounts the myth of the Egyptian god Thoth, the inventor of letters and numbers, who compares writing to a \u201cremedy\u201d (pharmakon) to improve memory and wisdom,\u201d and Tammuz, the king of gods, who scolds Thoth roundly: \u201cIf men learn this, it will implant forgetfulness in their souls; they will cease to exercise memory because they rely on that which is written, calling things to remembrance no longer from within themselves, but by means of external marks. What you have discovered is a recipe not for memory, but for reminder.\u201d<\/p>

In fact, Tammuz\u2019s statement expresses the view of Plato himself, who believed that the \u201cpharmakon\u201d in question acts as both remedy and poison. Thoth considers writing a panacea for forgetfulness and a means of acquiring knowledge, but Tamuz views it as a substitute for memory. Jacques Derrida concludes: \u201cIn his sophistry, Plato scolds not the recourse to memory itself, but the replacement of living memory with a prosthesis; the perverse act of replacing a live organ with an dead object, and more specifically, the replacement of the active resurrection of knowledge, its conscious reproduction, with a passive and mechanical \u201cremembering\u201d.<\/p>

It can therefore be assumed that since the time Plato\u2019s Phaedrus, writing has been viewed as a pharmakon, i.e. a poison corrupting the purity of logos, even though it can also arouse and galvanize seekers of identity … In Ireneusz Walczak\u2019s work, the pharmakon appears as a modus of representation and an aesthetic mechanism for organizing things.<\/p>

\u00a0<\/p>

Jakub Ci\u0119\u017cki<\/strong> was born in 1979. In 2003, he obtained an honours\u2019 degree in painting under Professor Jacek Wojciechowski at the Faculty of Arts of the Maria Curie-Sk\u0142odowska University in Lublin. Finalist of the Art & Business editorial competition for the Image of the Year 2004. Winner of the Grand Prix in competitions organized by the Franciszka Eibisch Foundation in Warsaw (2004) and at the 40th Bielska Jesie\u0144 Painting Biennale in 2011. He was nominated three times for Polityka’s Passport (2011, 2012, 2014). Scholarship holder of the ministerial scholarship program Young Poland for 2013. He received an artistic scholarship from the Mayor of Lublin for 2015 and 2016. He has presented a number of solo exhibitions, including: Corporal Puishment (2015) and Haven’t We Met Before? (2012) at Galeria Propaganda in Warsaw (2012), I Love You But I’ve Chosen Darkness at Galeria BWA in Gorz\u00f3w Wielkopolski (2015), blackout at Galeria Bielska BWA in Bielsko-Bia\u0142a (2013), To\u00a0Read Between the Lines in gallery of the Lublin Society of Fine Arts \u2018Zach\u0119ta\u2019 (2009). He has participated in several dozen group exhibitions. He lives and works in Lublin.<\/p>

\u00a0<\/p>

Ivo Niki\u0107<\/strong> was born in 1974 in Pristina. He is a graduate of the Academy of Fine Arts in Warsaw, he obtained a degree in the studio of Professor Jaros\u0142aw Modzelewski. In 2006 he received an Artist-In-Residence scholarship in Bern, Switzerland. He has participated in numerous group and solo exhibitions in Poland (CCA Ujazdowski Castle, BWA Zielona G\u00f3ra, Studio Gallery, Arsena\u0142 Gallery in Pozna\u0144, Fokus \u0141\u00f3d\u017a Biennale) and abroad (including Humboldt Berlin, Umspannwerk; Bat-Yam International Biennale of Landscape of Landscape Urbanism in Israel; Rotor in Graz; Tokyo Fashion Week). Since 2001, he is a co-founder of the \u201cSzusz\u201d group together with Piotr Kopik and Karol Radziszewski. He is a scholarship holder of the Ministry of Culture and National Heritage (2014). He has been nominated several times for the Polityka Passport award. He lives and works in Warsaw.<\/p>

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Ireneusz Walczak<\/strong> was born in 1961, honours\u2019 degree from the Academy of Fine Arts in Krak\u00f3w, Faculty of Graphics in Katowice (1988). Full professor, runs a painting studio for students of the 2nd to 5th (final) year at the Academy of Fine Arts in Katowice. Since 1989, he has painted eleven series of paintings, including \u201cBuilding an Identity\u201d, \u201cMy House Is My Language\u201d, \u201cMultikulti\u201d. He has participated in 270 group exhibitions, and presented 21 solo exhibitions in Poland and abroad. Winner of 30 national and foreign awards and honourable mentions, including the Grand Prix – award (medal) of the city mayor of Chamalieres – 1st World Triennial of Small Graphic Forms, Chamalieres, France (1988), \u201cThe Pollock – Krasner Foundation Award\u201d, New York, USA (1993), Grand Prix \u2013 \u201cBielska Jesie\u0144\u201d , Bielsko-Bia\u0142a (1994). He has taken part in major generational exhibitions since the beginning of his artistic career> These include \u201cCritics About Us\u201d \u2013 BWA Sopot (1989), \u201cBlack Hole\u201d BWA Katowice (1990), Painting of the 1980s – Frankfurt am Main, Dusseldorf – Germany (1991), \u201cDemolition of the Iron Curtain\u201d Kuhlhaus Berlin Exhibition Center – 2011). Trojan Horse – BWA Katowice – curator Ingmar Villqist (2015). Dialog der Generationen – Neue Polnische Kunst Freies Museum Berlin (2015) He has participated in numerous art fairs Art Cologne and Art Frankfurt.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PHARMAKON JAKUB CI\u0118\u017bKI  IVO NIKI\u0106  IRENEUSZ WALCZAK  Curator \/ Roman Lewandowski O[ening 7.10.2021 \/ 6pm Centre for Creative Activities in Ustka  ul. Zaruskiego 1a Exhibition 7.10.2021 \u2013 30.01.2022 Centre for […]<\/p>\n","protected":false},"author":3,"featured_media":9576,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[228,161],"tags":[],"class_list":["post-9557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2021-en","category-exhibitionarchive","entry","has-media"],"_links":{"self":[{"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/posts\/9557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/comments?post=9557"}],"version-history":[{"count":14,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/posts\/9557\/revisions"}],"predecessor-version":[{"id":9577,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/posts\/9557\/revisions\/9577"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/media\/9576"}],"wp:attachment":[{"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/media?parent=9557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/categories?post=9557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/tags?post=9557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}