{"id":1131,"date":"2023-11-01T23:03:46","date_gmt":"2023-11-01T23:03:46","guid":{"rendered":"https:\/\/bgsw.pl\/strona-archiwalna\/?page_id=1131"},"modified":"2023-11-01T23:04:12","modified_gmt":"2023-11-01T23:04:12","slug":"2003-2","status":"publish","type":"page","link":"https:\/\/bgsw.pl\/strona-archiwalna\/pl\/archiwum\/2003-2\/","title":{"rendered":"2003"},"content":{"rendered":"\t\t
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\r\n \r\n\r\n\r\n\r\n\"Frakcja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFrakcja \/ grupa artystek Monika Czarska Roksana Kularska-Kr\u00f3l Alicja Kujawska Anka Les\u0301niak Aurelia Mandziuk \/ Prezentacja projektu \/ 22.09.23<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WEEKEND <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWEEKEND SENIORA Z KULTUR\u0104 \/ 29.09. \u2013 01.10.2023<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarta Frej \/ Srom czyli wstyd \/ Baszta Czarownic w S\u0142upsku<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"M <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nM jak Morze 10 Wystawa poplenerowa Pomorskiego Oddzia\u0142u Stowarzyszenia Marynist\u00f3w Polskich w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Archimetrie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nArchimetrie \/ wystawa zbiorowa \/ Galeria Kameralna w S\u0142upsku, CAT w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna Laskus-Stwora \/ Tlen \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SPALMY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSPALMY ZA SOB\u0104 MOSTY \/ Warsztat palenia list\u00f3w mi\u0142osnych \/ w ramach projektu SZTUKA NA ULICY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Olena <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOlena Matoshniuk \/ Ukrai\u0144ski pejza\u017c \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"UWAGA! <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUWAGA! \/ 17 \u2013 31.07.2023 wymiana o\u015bwietlenia w CAT \/ szczeg\u00f3\u0142y<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Alina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAlina Cz\u0119\u015bcik \/ CZARNO-BIA\u0141E POLA \/ wystawa Galerii Jednego Dnia<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Oda <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOda do \u015bledzia \/ Jolanta Juszkiewicz  \/ Kropka Theatre \/ spektakl dla widz\u00f3w 10+<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zuzanna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZuzanna Litawi\u0144ska i Aleksandra Szczodry \/ Ma\u015b\u0107 \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"FRAKTAL <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFRAKTAL 2 \/ DZIA\u0141ANIE ARTYSTYCZNE \/ Galeria Kameralna \/ Od 3 czerwca 2023 \/ ZAPRASZAMY MIESZKA\u0143C\u00d3W S\u0141UPSKA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Warsztaty <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWarsztaty dedykowane kobietom z Ustki i okolic \/ Marta Jarnuszkiewicz<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"OTWARTY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOTWARTY NAB\u00d3R \/ REZYDENCJA ARTYSTYCZNA DLA UKRAI\u0143SKIEJ ARTYSTKI \/ do 3 czerwca 2023<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"HUMAN <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nHUMAN \/ wystawa mi\u0119dzynarodowa \/ Galeria Kameralna, Baszta Czarownic, Centrum Aktywno\u015bci Tw\u00f3rczej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Paulina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPaulina Grosz \/ Zabawy z latawcami \/ wystawa Galerii Jednego Dnia<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSina Boroumandi \/ Overlap \/ rezydencja artystyczna on-line<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Spotkanie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSpotkanie autorskie z El\u017cbiet\u0105 Cherezi\u0144sk\u0105 \/ promocja ksi\u0105\u017cki \u201eSydonia. S\u0142owo si\u0119 rzek\u0142o\u201d \/ 14.04.2023 \/ 17.00<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech Gilewicz \/ Rezydencja artystyczna \u2013 Ustka 2023 \/ 1.03 \u2013 30.04.2023<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Krzysztof <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKrzysztof Nowicki, \u0141ukasz Patelczyk, Filip Wierzbicki-Nowak \/ Refiguracje \/ CAT, Galeria Kameralna, Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Natalia <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNatalia Czarci\u0144ska, Jerzy Muszy\u0144ski, Dorota Tarnowska-Urbanik \/ Wsp\u00f3lne gesty \/ Galeria Kameralna i Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Bianka <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBianka Rolando \/ Rol-And-Drop Twin Jackpot \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"ASOCJACJE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nASOCJACJE \/ Wystawa [post]edukacyjna z udzia\u0142em uczestnik\u00f3w warsztat\u00f3w specjalistycznych<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"KOLOR <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKOLOR \u2013 Jastarnia 2022 \/ Wystawa poplenerowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"M <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nM JAK MORZE 9 \/ WYSTAWA POPLENEROWA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna Kujawska-Murphy \/ Mi\u0119dzy bytem a niebytem \/ dokumentacja instalacji z lat 1996-2022<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"DZIA\u0141ANIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDZIA\u0141ANIA WAKACYJNE 2022 \/ SZTUKA NA ULICY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Multimedialny <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMultimedialny Ukrai\u0144ski Plener w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Iwona <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIwona Rozbiewska \/ Hedrokonstrukt \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna Kujawska-Murphy \/ \u201e5:15 p.m.\u201d (Zmieniam perony) \/ Galeria Kameralna<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"RYSZARD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRYSZARD GRZYB \/ Obrazy r\u00f3\u017cne z r\u00f3\u017cnych czas\u00f3w \/ Baszta Czarownic, Centrum Aktywno\u015bci Tw\u00f3rczej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jerzy <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJerzy Chartowski \/ VISIONS AND DREAMS \/ GALERIA JEDNEGO DNIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anastasiia <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnastasiia Ryabczuk \/ Warto\u015bci \/ Rezydencja artystyczna realizowana w ramach wsp\u00f3\u0142pracy polsko \u2013 ukrai\u0144skiej dla uchod\u017aczy\u0144 z Ukrainy i ich rodzin<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"BIENNALE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBIENNALE SZTUKI M\u0141ODYCH \u201eRYBIE OKO 10\u2033<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Olena <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOlena Naumenko \/ Wiadomo\u015bci z Ukrainy \/ Rezydencja artystyczna realizowana w ramach wsp\u00f3\u0142pracy polsko \u2013 ukrai\u0144skiej dla uchod\u017aczy\u0144 z Ukrainy i ich rodzin<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarina Talutto \/ Dym \/ Rezydencja artystyczna realizowana w ramach wsp\u00f3\u0142pracy polsko \u2013 ukrai\u0144skiej dla uchod\u017aczy\u0144 z Ukrainy i ich rodzin<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Hanna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nHanna Oborska \/ Portret przez wojn\u0119. Odcisk \/ Rezydencja artystyczna realizowana w ramach wsp\u00f3\u0142pracy polsko \u2013 ukrai\u0144skiej dla uchod\u017aczy\u0144 z Ukrainy i ich rodzin<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tereza <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTereza Barabasz \/ Pod \u015bcian\u0105 \/ Rezydencja artystyczna realizowana w ramach wsp\u00f3\u0142pracy polsko \u2013 ukrai\u0144skiej dla uchod\u017aczy\u0144 z Ukrainy i ich rodzin<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Alicja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAlicja Bia\u0142a \/ PAJ\u0104KI \/ Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PERSONA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPERSONA (NON) GRATA \/ wystawa zbiorowa \/ Galeria Kameralna, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Spotkanie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSpotkanie z Ani\u0105 Pabi\u015b \/ w ramach rezydencji artystycznej \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Z <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZ PERYFERII. VOL. II \/ wystawa zbiorowa \/ Galeria Kameralna, Baszta Czarownic, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"FRAKTAL <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFRAKTAL \/ ods\u0142oni\u0119cie mozaiki artystycznej mieszka\u0144c\u00f3w Ustki i okolic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tw\u00f3j <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTw\u00f3j niepowtarzalny odcisk \/ dla mieszka\u0144c\u00f3w Ustki i okolic \/ akcja artystyczna \/ WE\u0179 UDZIA\u0141<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Joanna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJoanna Dudek \/ Praktyki ekologiczne na polu artystycznych dzia\u0142a\u0144 \/ W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WEEKEND <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWEEKEND SENIORA Z KULTUR\u0104<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Warsztaty <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWarsztaty \/\u201eStw\u00f3rzmy razem rze\u017ab\u0119 spo\u0142eczn\u0105\u201d \/ zapisy<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"JAKUB <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJAKUB CI\u0118\u017bKI, IVO NIKI\u0106, IRENEUSZ WALCZAK \/ PHARMAKON \/ Galeria Kameralna, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Maria <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMaria Wro\u0144ska \/ WINNE \u2013 NIEWINNE \/ Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"JASTARNIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJASTARNIA 2021 \/ Wystawa poplenerowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"M <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nM jak Morze 8 \/ wystawa poplenerowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Konrad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKonrad Ju\u015bci\u0144ski \/ Miejsce bezpieczne \u2013 utopia przemijania \/ Rezydencja artystyczna  \/ Badania przesz\u0142o\u015bci<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anka <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnka Le\u015bniak \/ Bezimiennym Wojowni-cz-kom \/ perfomance w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"J\u00f3zef <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJ\u00f3zef Robakowski \/ SZTUKA JAKO ENERGIA! \/ CAT, Galeria Kameralna, Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Grupa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGrupa Frakcja \/ PLA\u017bA \u017bE\u0143SKA \u2013 Frakcja na wyje\u017adzie \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"OPEN <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOPEN CALL \/ \u201ePraktyki ekologiczne na polu artystycznych dzia\u0142a\u0144\u201d \/ Rezydencja artystyczna<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""Odyseja" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eOdyseja\u201d \/ pokaz spektaklu<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Rowy <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRowy 2020 \/ Wystawa poplenerowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Konferencja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKonferencja \/ rezydencje artystyczne online \u201ePodr\u00f3\u017c w Miejscu \/ Trip in Place\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Grzegorz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGrzegorz Bo\u017cek \/ Cze\u015b\u0107! Cze\u015b\u0107! \/ Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jerzy <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJerzy Hejnowicz \/ Mayday 2-0-2-1 \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech \u0106wiertniewicz \/ Poza jakimkolwiek miejscem \/ GALERIA KAMERALNA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"OPEN <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOPEN CALL \/ \u201eBADANIA PRZESZ\u0141O\u015aCI\u201d \/ Rezydencja artystyczna<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zdalne <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZdalne lekcje o sztuce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"KONFERENCJA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKONFERENCJA ONLINE \/ Miejsce \u2013 wewn\u0105trz \/ Place \u2013 Inside \/ rezydencje artystyczne<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Kamila <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKamila Czosnyk \/ Kontestacje symulacji \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Janina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJanina Janicka-Grabowska \/ PRZYGODNO\u015a\u0106 CIA\u0141A \/ Galeria Kameralna<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zdzis\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZdzis\u0142aw Pacholski \/ TERRA PHOTOGRAPHICA \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Bartosz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBartosz Kokosi\u0144ski \/ POZOSTAJ\u0118 TYM SAMYM, CHO\u0106 SI\u0118 ZMIENI\u0141EM \/ BASZTA CZAROWNIC<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Gabriela <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGabriela Sieci\u0144ska \/ Escape from reality \/ Galeria Jednego Dnia<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Joanna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJoanna \u0141a\u0142owska \/ MARE VANITAS. O przemijaniu Morza Ba\u0142tyckiego \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Magda <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMagda Tramer \/ W krainie zakl\u0119tych emocji \/ wystawa on-line<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jubileuszowa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJubileuszowa wystawa z okazji 50-lecia pracy tw\u00f3rczej Andrzeja Szulca<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Robert <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRobert Motelski \/ \u201ePrzestrze\u0144 i czas\u201d \/ Centrum Aktywno\u015bci Tw\u00f3rczej w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Duet <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDuet Przepraszam \/ \u201esz\u0142a z Ustki, szed\u0142 z Zakopanego\u201d \/ Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Pamela <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPamela Leo\u0144czyk \/ Bia\u0142y szum \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"...nasze <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u2026nasze morze\u2026 \/ wystawa poplenerowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"M <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nM jak Morze 7 \/ wystawa poplenerowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tomasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTomasz Giczewski \/ W poszukiwaniu \/ Galeria Jednego Dnia<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"19 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n19 sierpnia \/ \u015awiatowy dzie\u0144 fotografii \/ we\u017a udzia\u0142!<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"DLA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDLA MEDYK\u00d3W \/ dzia\u0142ania w przestrzeni miejskiej S\u0142upska<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"duet <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nduet Przepraszam (Ola Kozio\u0142 & Suavas Lewy) \/ Pie\u015b\u0144 antropocenu \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Monika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMonika Dro\u017cy\u0144ska \/ Dziary 2 \/ w ramach Sztuka na Ulicy<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Spotkanie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSpotkanie on-line \/ 4.06.2020 \/ Vahram Mkhitaryan<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dzia\u0142ania <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDzia\u0142ania w przestrzeni miejskiej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Usta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUsta S\u0142upska \/ czyli film mieszka\u0144c\u00f3w i go\u015bci o Dwumie\u015bcie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dzia\u0142ania <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDzia\u0142ania w ramach rezydencji artystycznych<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dzia\u0142ania <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDzia\u0142ania w Pracowni Rze\u017aby i Ceramiki<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u201eA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eA je\u015bli ciemno\u015b\u0107 to nie tylko czer\u0144, to czym innym mo\u017ce jeszcze by\u0107?\u201d \/ WYSTAWA ZBIOROWA \/ GALERIA KAMERALNA, BASZTA CZAROWNIC, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Prezentacja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPrezentacja projektu Weroniki Teplickiej \/ \u201eOpowie\u015bci o codzienno\u015bci. Mi\u0119dzy latem i latem\u201d \/ spotkanie z artystk\u0105 w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MORSOWANIE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMORSOWANIE w 100 rocznic\u0119 Za\u015blubin Polski z Ba\u0142tykiem \/ Ustka<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Z <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZ PERYFERII \/ WYSTAWA ZBIOROWA \/ GALERIA KAMERALNA, Baszta Czarownic, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Weronika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWeronika Wysocka \/ where all problems end \/ Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"ROZ-CZAROWANIE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nROZ-CZAROWANIE \/ SPOTKANIE Z ARTYSTK\u0104 MARIANN\u0104 SEROCK\u0104 \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sylwia <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSylwia Starkowska \/ R.A.W \u2013 Ksi\u0119\u017cna, ksi\u0105\u017c\u0119 i kola\u017c<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"DZIE\u0143 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDZIE\u0143 OTWARTYCH PRACOWNII W CENTRUM AKTYWNO\u015aCI TW\u00d3RCZEJ W USTCE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WEEKEND <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWEEKEND SENIORA Z KULTUR\u0104 \/ CENTRUM AKTYWNO\u015aCI TW\u00d3RCZEJ w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Laurenz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nLaurenz Gemmer \/ MUZYCZNY PERFORMANCE \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSina Boroumandi \/ SIMULACRUM \/ Autoprezentacja artysty z Iranu w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"CZARNA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nCZARNA \u017b\u00d3\u0141\u0106 \/ WYSTAWA ZBIOROWA \/ Galeria Kameralna, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Monika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMonika Dro\u017cy\u0144ska \/ Dziary \/ Dzia\u0142ania w przestrzeni miejskiej w ramach projektu SZTUKA NA ULICY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"JOLANTA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJOLANTA M\u0118DEROWICZ \/ FOTOGRAFIA W LABIRYNCIE \/ Akcje i dokumentacje \/ WYK\u0141AD II<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"JOLANTA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJOLANTA M\u0118DEROWICZ \/ Fotografia w Labiryncie \/ Znak sztuki \/ wyk\u0142ad I<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"KAUSHIK <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKAUSHIK GUPTA \/ CZY JESTE\u015aMY SZCZ\u0118\u015aLIWI? \/ W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Elvira <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nElvira Akzigitova \/ WARSZTATY \/ \u017bydowski Dom Przedpogrzebowy<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SPOTKANIE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSPOTKANIE Z TAMAR\u0104 STOFFERS \u2013 holendersk\u0105 artystk\u0105 wizualn\u0105<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tamara <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTamara Stoffers \/ Blokowisko blokowane kolorem \/ w ramach rezydencji artystycznej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Historia <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nHistoria \u017byd\u00f3w s\u0142upskich i \u017bydowskiego Domu Przedpogrzebowego<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PRZESTRZENIE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPRZESTRZENIE MI\u0118DZYPRZESTRZENI (Hommage \u00e0 Otto Freundlich) \/ wystawa zbiorowa \/ GALERIA KAMERALNA, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sacro-pop. <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSacro-pop. Wyra\u017canie \u015bwi\u0119to\u015bci w kulturze masowej \/ konferencja naukowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u015aWIAT\u0141EM <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u015aWIAT\u0141EM PISANE \/ PROJEKT EDUKACYJNO \u2013 FOTOGRAFICZNY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Alex <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAlex Urso \/ GRAND HOTEL EUROPA (part two) \/ wystawa w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"DZIE\u0143 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDZIE\u0143 OTWARTY FUNDUSZY EUROPEJSKICH CENTRUM AKTYWNO\u015aCI TW\u00d3RCZEJ W USTCE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Miko\u0142aj <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMiko\u0142aj Prynkiewicz \/ Tryptyk \u201eDAN_CE_FLOOR\u201d \/ performance i wystawa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Olga <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOlga Babak \/ Na powierzchni \/ wystawa w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Olga <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOlga Babak \/ spotkanie 15.04.2019 \/ 17.00 \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ba\u0142tycka <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBa\u0142tycka Galeria Sztuki Wsp\u00f3\u0142czesnej zaprasza uczni\u00f3w w czasie strajku nauczycieli<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sofiya <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSofiya Ahadova \/ R\u00f3\u017cne miejsca pod jednym dachem \/ W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wyk\u0142ad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWyk\u0142ad \/ Marta Kudelska \/ Czasem warto zej\u015b\u0107 ze \u015bcie\u017cki<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"POD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPOD SOCZYSTYM ZIELONYM MCHEM, KTO\u015a SCHOWA\u0141 BIA\u0141E KO\u015aCI \/ wystawa zbiorowa \/ GALERIA KAMERALNA, BASZTA CZAROWNIC, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MARZENA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMARZENA GRUSZCZY\u0143SKA \/ Raport wzoru \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Margot <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMargot Soko\u0142owska & Emmanuel Penouty \/ COME CLOSER \/ W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD AD. DR ROMANA LEWANDOWSKIEGO \/ Kiedy \u201eja\u201d staje si\u0119 k\u0142\u0105czem \u2013 symulakry, awatary i klony to\u017csamo\u015bci w cyberkulturze i sztuce sieci.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MAN-MACHINE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMAN-MACHINE \/ wystawa zbiorowa \/ Galeria Kameralna, Baszta Czarownic, CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Gabriella <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGabriella Zeno \/ PERFORMANCE \u201eDo wszystkich moich matek\u201d \/ W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SPOTKANIE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSPOTKANIE Z GABRIELL\u0104 ZENO \/ \u201eDo wszystkich moich matek\u201d \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnna Pabi\u015b \/ Performance BUTOH \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYSTAWA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYSTAWA W RAMACH REZYDENCJI ARTYSTYCZNEJ \/ Pawe\u0142 Althamer i Artur \u017bmijewski<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD AD. DR ROMANA LEWANDOWSKIEGO \/ W domu moim Obcy. Spotkania i konfrontacje Inno\u015bci w sztukach wizualnych \u015bwiata ponowoczesnego \/ 02.10. 2018 \u2013 G. 12.00 \/ GALERIA KAMERALNA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"M <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nM jak Morze 5 \/ Wystawa poplenerowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MICHA\u0141 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMICHA\u0141 \u017bES\u0141AWSKI \/ CIA\u0141OPALENIE \/ Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sara <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSara Piotrowska & Maciej Szcz\u0119\u015bniak \/ Porywczy, szorstki w obej\u015bciu, ze sk\u0142onno\u015bciami do autorytaryzmu \/ Galeria Kameralna<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"GRZEGORZ <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGRZEGORZ STEFA\u0143SKI \/ trzecie molo \/ Centrum Aktywno\u015bci Tw\u00f3rczej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD (II) JOLANTY M\u0118DEROWICZ \/ Autoportrety sztuki : W\u0142odzimierz Borowski, Zdzis\u0142aw Kwiatkowski, Andrzej Lachowicz, Natalia LL, Jadwiga Przybylak, J\u00f3zef Robakowski, Zygmunt Rytka, Miko\u0142aj Smoczy\u0144ski, Stefan Themerson, Jerzy Truszkowski, Zbigniew Warpechowski.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD (I) JOLANTY M\u0118DEROWICZ \/ Definiowanie sztuki. Od malarstwa materii do sztuki performance.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Humberto <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nHumberto Duque \/ POLORAMA \/ W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Denton <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDenton Fredrickson \/ Instalacja \u201eRejs \u0142odzi\u0105\u201d \/ w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYSTAWA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYSTAWA PS\u00d3W SKRAJNIE RASOWYCH \/ Marek Skrzypek, Ewa Gru\u017cewska, Zenon Skibi\u0144ski, Ma\u0142gorzata B\u0105kowska \/ Pracownia Rze\u017aby<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wyk\u0142ad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWyk\u0142ad Marty Kudelskiej \/ Czarownico, kim jeste\u015b?<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PORTRETY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPORTRETY \/ Wystawa podopiecznych \u015arodowiskowego Domu Samopomocy w S\u0142upsku<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Koncert <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKoncert Olgi Hanowskiej \/ \u201eSny Panny z Wanny\u201d. Folk Botaniczny.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"CZY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nCZY MO\u017bE PANI SPRAWDZI\u0106, CZY SNY NIE ZAPL\u0104TA\u0141Y MI SI\u0118 WE W\u0141OSACH? \/ Basia Ba\u0144da, Magdalena Moskwa, Ma\u0142gorzata Malwina Niespodziewana, Alex Urban, Erwina Ziomkowska \/ WYSTAWA ZBIOROWA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"ZBLI\u017bENIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZBLI\u017bENIA \/ WYSTAWA PRAC UCZESTNIK\u00d3W ZAJ\u0118\u0106 RZE\u0179BIARSKICH \/ RZE\u0179BA + WIDEO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sacrum <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSacrum prywatne w medium literatury \/ konferencja naukowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jeawon <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJeawon Kim \/ Trzecia przestrze\u0144 09 \/ Wystawa w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Serena <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSerena Vittorini \/ Kasety, kt\u00f3re ogl\u0105dasz, gdy jeste\u015b sam \/ WYSTAWA W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Greta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGreta Grabowska \/ Z oddalenia \/ kola\u017ce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"DZIE\u0143 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDZIE\u0143 OTWARTY CENTRUM AKTYWNO\u015aCI TW\u00d3RCZEJ W USTCE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"TWOJE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTWOJE WSPOMNIENIA  \/ SPOTKANIE Z JEAWON KIM \/ 13.04.2018 \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech Mendzelewski \/ Faktory pami\u0119ci \/ GALERIA JEDNEGO DNIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Paulina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPaulina Kawalec \/ Continuum Kontemplacji \/ GALERIA JEDNEGO DNIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Spotkanie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSpotkanie artystyczne \/ Mi\u0119dzy natur\u0105 a kultur\u0105 \/ 16 \u2013 22.04.2018 \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD AD. DR ROMANA LEWANDOWSKIEGO \/ Autoportret i autobiografia jako alegoria lustra \/ 11.04. 2018 \u2013 g. 12.00 \/ Galeria Kameralna<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PORTRETU <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPORTRETU NATURA MARTWA \/ Judyta Berna\u015b, Izabela Gustowska, Pawe\u0142 Mendrek, Krystyna Piotrowska, Alex Urso \/ wystawa zbiorowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anton <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnton Karyuk \/ Nice to meet you \/ WYSTAWA W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Olena <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOlena Siyatovska \/ Wszystko po 0,99 \/ WYSTAWA W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Mutant <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMutant Goat \/ Ola Kozio\u0142 i Andrew Dixon \/ koncert<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD AD. DR ROMANA LEWANDOWSKIEGO \/ Na peryferiach kultury i natury. Sztuka na styku bio-, techno- i mediasfery.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PEJZA\u017bE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPEJZA\u017bE ANTROPOCENU \/\/ Natalia Ba\u017cowska, S\u0142awomir Brzoska, Magdalena Lazar & Marcin Pazera, Diana Lelonek, Katarzyna Lembryk, Agnieszka Mastalerz, Marek Rachwalik<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYSTAWA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYSTAWA EDUKACYJNA \/ Prezentacja prac uczestnik\u00f3w pracowni Centrum Aktywno\u015bci Tw\u00f3rczej w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wyk\u0142ad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWyk\u0142ad \/ Jolanta M\u0119derowicz \/ Artysta w dobie globalizacji. Kolekcja Galerii Labirynt<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"ZUZANNY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZUZANNY I STARCY \/ Fotograficzno \u2013 filmowa wystawa poplenerowa Zwi\u0105zku Polskich Artyst\u00f3w Plastyk\u00f3w Okr\u0119g Koszalin \u2013 S\u0142upsk<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"FILIPE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFILIPE AFONSO \/ THE MASTER AND THE SLAVE \/ wystawa i projekcja film\u00f3w w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"FILIPE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFILIPE AFONSO \/ PROJEKCJA FILM\u00d3W WIDEO ORAZ AUTOPREZENTACJA ARTYSTY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"BOGUS\u0141AW <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBOGUS\u0141AW BACHORCZYK \/ ARTE EXCENTRICA, CZYLI WODY SPOKOJNE, FASTRYGI, PERFUMERIE I WARZYWNIAKI \/ Wystawa w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"LUISA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nLUISA SPINA \/ ROZMOWY NAD BRZEGIEM \/ CAT \/ WYSTAWA W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"ODETTE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nODETTE GRASKIE \/ AMBEDO \/ CAT \/ WYSTAWA W RAMACH REZYDENCJI ARTYSTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Warsztaty <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWarsztaty \/\/ Afrikaans Hase \/ Afryka\u0144ski Kr\u00f3lik<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jadwiga <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJadwiga Sawicka \/\/ Serce kraju \/ Uwaga! Granica<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"M <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nM jak Morze 4 \/ WYSTAWA POPLENEROWA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Informacja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nInformacja dot. zrealizowanych inwestycji przez BGSW w S\u0142upsku w roku 2017<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Kristina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKristina In\u010di\u016brait\u0117 \/ Fragment jako przys\u0142owie \/ projekt w ramach rezydencji artystycznej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD ad. dr Romana Lewandowskiego \/ GRY I TRANSFORMACJE ARTYSTY W \u015aWIECIE SZTUKI POSTMODERNISTYCZNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"ELVIRA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nELVIRA AKZIGITOVA \/ BODY ELECTRIC \/ CAT \/ WYSTAWA W RAMACH REZYDENCJI ARTYSTYCZNYCH<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"ZA\u0141O\u017b\u0118 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZA\u0141O\u017b\u0118 CZERWONE SPODNIE \/ PROJEKCJA FILMU \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"HENRYK <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nHENRYK KLAJA \/ MALARSTWO \/ Wystawa w ramach XIII POMORSKIEGO FORUM EDUKACJI REGIONALNEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Krystyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKrystyna Hrehorowicz \/ Malarstwo \/ Galeria Jednego Dnia<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Inaczej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nInaczej ni\u017c w raju \/\/\/ Kuba B\u0105kowski, Nicolas Grospierre, Jolanta Jastrz\u0105b, Les\u0142aw Tetla, Andrzej Tobis, Wojciech Wilczyk, Grzegorz Wr\u00f3blewski<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zenon <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZenon Skibi\u0144ski \/ KADR \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SACRUM <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSACRUM KOBIET W POLSKIM OPISIE KULTUROWYM \/ KONFERENCJA NAUKOWA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYSTAWA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYSTAWA POPLENEROWA \/ Pracowni Malarstwa prof. J. Modzelewskiego i dr I. Przybylskiego z Wydzia\u0142u Malarstwa ASP w Warszawie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Samuel <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSamuel Forrest Stevens \/ Mapa Ustki \/ CAT \/ WYSTAWA W RAMACH REZYDENCJI ARTYSTYCZNYCH<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jana <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJana Gombikov\u00e1 \/ Winter blues \/ CAT \/ wystawa w ramach rezydencji artystycznych<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Aleksandra <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAleksandra Wa\u0142aszek \/ Ma\u0142e Morze \/ Oprowadzanie po miejscach \/ CAT \/ projekt w ramach rezydencji artystycznych<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"DZIE\u0143 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDZIE\u0143 OTWARTY CENTRUM AKTYWNO\u015aCI TW\u00d3RCZEJ W USTCE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD \/ W DOMU MOIM OBCY. SPOTKANIE I KONFRONTACJA INNO\u015aCI W SZTUKACH WIZUALNYCH \u015aWIATA PONOWOCZESNEGO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Czes\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nCzes\u0142aw Ceka\u0142a \/ FOTOGRAFIA \/ GALERIA JEDNEGO DNIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nCzes\u0142aw Ceka\u0142a \/ FOTOGRAFIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Alina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAlina Belyagina \/ BODY BUILDING \/ WYSTAWA W RAMACH ARTYSTYCZNEJ REZYDENCJI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"BIENNALE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBIENNALE SZTUKI M\u0141ODYCH \u201eRYBIE OKO\u201d 9<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MICHA\u0141 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMICHA\u0141 \u017bES\u0141AWSKI \/ Ceramika [nie]u\u017cytkowa \u2013 Forma [nie]kontrolowana \/ wyk\u0142ad<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"D\u0142ugowieczni <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nD\u0142ugowieczni mieszka\u0144cy Polski \u2013 Ustka \/ Agata Elsner, Marek Straszak<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"UNTITLED <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUNTITLED PERFORMANCE \/ Alina Belyagina<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PRZESZ\u0141O\u015a\u0106 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPRZESZ\u0141O\u015a\u0106 JEST OBCYM KRAJEM \/\/\/ Ewa Bloom \u2013 Kwiatkowska Karolina Bregu\u0142a GF Gomae Hubert Czerepok Dominik Lejman Zbigniew Libera Mariusz Tarkawian<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFERIE 2017<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PO <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPO ICH TRUDZIE POZOSTA\u0141 TYLKO \u015aLAD \/ projekcja flmu \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Galeria <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGaleria Jednego Dnia<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wyk\u0142ad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWyk\u0142ad ad. dr Roman Lewandowski \/ HOMO POLITICUS, CZYLI ORNAMENT Z LUDZKIEJ MASY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"NAB\u00d3R <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNAB\u00d3R NA REZYDENCJE ARTYSTYCZNE W USTCE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nHATE FREE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Eksplozja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEksplozja litery \/\/\/ Stanis\u0142aw Dr\u00f3\u017cd\u017c Grzegorz Ha\u0144derek Maciej Linttner Przemys\u0142aw \u0141opaci\u0144ski Janusz Marciniak Jadwiga Sawicka Pawe\u0142 Susid Ma\u0142gorzata Szanda\u0142a Andrzej Szewczyk Gra\u017cyna Tereszkiewicz Ireneusz Walczak<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Molly <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMolly Lloyd \/ Nadmierno\u015b\u0107 \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zhang <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZhang Xing \/ Let the dust settle \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Karolina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKarolina Bregu\u0142a \/ FILM \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Beata <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBeata Cedrzy\u0144ska \/ OUTSIDER \/ Galeria Kameralna<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Monika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMonika Smy\u0142a \/ Czarostwo \/ Baszta Czarownic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dwaj <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDwaj ludzie z ustami<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Natalie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNatalie Rosin \/ Makieta<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Spektakl <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSpektakl pt. \u201ePASS\u201d \/ re\u017c. Jakub Kruczek \/ CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WARSZTATY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWARSZTATY CERAMICZNE Z NATALIE ROSIN<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"FILMY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFILMY DOKUMENTALNE W CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFILMY DOKUMENTALNE W CAT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MICHA\u0141 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMICHA\u0141 BA\u0141DYGA \/ Wszyscy jeste\u015bmy SUPERBOHATERAMI \/ warsztaty<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Performance <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPerformance \/ Praktyki peryferyjne \/ Grzegorz Bo\u017cek i Peter Ryaska<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"APOLOGIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAPOLOGIA PRZYPADKOWO\u015aCI \/ Bogus\u0142aw Bachorczyk, Kazimierz Ja\u0142owczyk, Krzysztof Maniak<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dzie\u0144 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDzie\u0144 Otwarty Centrum Aktywno\u015bci Tw\u00f3rczej w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wyk\u0142ad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWyk\u0142ad \/ Dr Gabriella Uhl \/ Badania podejmowane 'w poszukiwaniu straconego czasu\u2019. Na marginesie wystawy Retracings \/ Odtworzenia\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Morze <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\ufeffMorze w swobodnym ge\u015bcie artysty \/ wystawa student\u00f3w i doktorant\u00f3w pracowni malarstwa prof. Jaros\u0142awa Modzelewskiego<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ma\u0142gorzata <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMa\u0142gorzata Zelek \/ PRZYMIARKA \/ Galeria Jednego Dnia<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wyk\u0142ad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWyk\u0142ad z cyklu Strategie Sztuki \/ Obrazy (i) cia\u0142a \u2013 od immanencji do transcendencji<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYSTAWA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYSTAWA S\u0141UPSKICH ARTYST\u00d3W \/ POST-HISTORIA MIASTA S\u0141UPSK \/ w SCHWABACH<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jaros\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJaros\u0142aw Perszko, ODDECH<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MIROS\u0141AW <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMIROS\u0141AW BA\u0141KA \/ gatunki przestrzeni \/ the species of spaces<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Red <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRed Poppy Fields \/ Obraz Wielkiej Wojny we wsp\u00f3\u0142czesnej fotografii<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Grzegorz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGrzegorz Ha\u0144derek \/ Z\u0142y sen<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYSTAWA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYSTAWA ZBIOROWA ARTYST\u00d3W Z EGIPTU \u201eSHIFTING BORDERS\u201d \/ \u201eMIGRUJ\u0104CE GRANICE\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Pawe\u0142 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPawe\u0142 Korbus, \u201eJest fajnie ale troch\u0119 boimy si\u0119 mi\u0142o\u015bci \/ wojny\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD Z CYKLU STRATEGIE SZTUKI \/ Autoportret i autobiografia jako alegoria lustra<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"JUSTYNA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJUSTYNA OR\u0141OWSKA \u201ePrzewarto\u015bciowanie\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dominik <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDominik Ritszel \u201eKlincz\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Mariusz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMariusz Wolny, \u201eY\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nProgram rezydencji<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"USTA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUSTA S\u0141UPSKA \/ czyli film mieszka\u0144c\u00f3w o dwumie\u015bcie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYK\u0141AD <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYK\u0141AD Z CYKLU STRATEGIE SZTUKI \/ Poza tabu, czyli desakralizacja sacrum i\u2026 profanum w sztuce XX wieku<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"IZA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIZA TARASEWICZ, \u201eThe Smallest Uninteresting Number\/ Najmniejsza z liczb nieinteresuj\u0105ch\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Kamila <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKamila Wolszczak, \u201e\u015aCIE\u017bKA ZAPISU\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Warsztaty <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWarsztaty \u201cKLEI SI\u0118\u201d w ramach rezydencji i wystawy \u201c\u015acie\u017cka Zapisu\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wystawa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWystawa prac artyst\u00f3w ze Schwabach, ARTrans..fer<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jan <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJan Misiek, \u201eSk\u0142adanie czasu\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"weekend <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nweekend seniora z kultur\u0105 \/ 26 \u2013 27 wrze\u015bnia 2015<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Alicja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAlicja \u017bebrowska & Jacek Licho\u0144 \/ Infiltron<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Przemys\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPrzemys\u0142aw Branas \u201eZasalanie\u201d \/ performance<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Yukari <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nYukari Uto, \u201eMiasto w bieli\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Monta\u017c <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMonta\u017c nowego o\u015bwietlenia w sali wystawowej<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Nicole <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNicole Banowetz, \u201eGentle Infestation \/ \u0141agodna inwazja\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Pokaz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPokaz autorski \/\/ NOTACJE DOKAMEROWE z archiwum \u0142\u00f3dzkiej Galerii Wymiana \/\/ realizacja J\u00d3ZEF ROBAKOWSKI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"II <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nII OG\u00d3LNOPOLSKI ZJAZD DYREKTOR\u00d3W I PRACOWNIK\u00d3W INSTYTUCJI TWORZ\u0104CYCH DAWN\u0104 SIE\u0106 BWA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Monika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMonika Dro\u017cy\u0144ska, \u201e\u0106wiczenia z patrzenia w dal\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Adam <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAdam Gruba & Justyna G\u00f3rowska, \u201ePerformance: sztuka \u017cycia codziennego\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarta Frej, \u201eMemy\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""POMI\u0118DZY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201ePOMI\u0118DZY PROSTOT\u0104 A BAROKIEM. CZTERY DEKADY MARINY ABRAMOVI\u0106\u201d, Wyk\u0142ad<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Iza <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIza Moczarna-Pasiek, \u201eSyreni \u015apiew\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jolanta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJolanta Wo\u0142ocznik & Pawe\u0142 Susid, \u201ePRYWATNO\u015a\u0106\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Matthew <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMatthew Bamber<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Noc <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNoc Muze\u00f3w \u2013 16 maja 2015<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""\u017bywe <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201e\u017bywe kultury \u2013 spo\u0142eczne laboratorium fermentacji.\u201d Agata Bielska<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Trzydniowe <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTrzydniowe warsztaty d\u017awi\u0119kowe z Zork\u0105 Wollny<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Biennale <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBiennale Sztuki M\u0142odych \u201eRybie Oko\u201d 8<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jaros\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJaros\u0142aw Modzelewski, KILKANA\u015aCIE NOWYCH OBRAZ\u00d3W<\/span>\r\nJaros\u0142aw Modzelewski<\/span> <\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Nicolas <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNicolas Grospierre \/ Lost in architecture<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PIOTR <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPIOTR BUJAK, \u201ePASA\u017bE\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Weso\u0142ych <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWeso\u0142ych \u015awi\u0105t Wielkanocnych!<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ba\u0142tycka <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBa\u0142tycka Kronika Filmowa<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Giuseppe <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGiuseppe Santagata \u201eA leap into the shadows\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wyk\u0142ad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWyk\u0142ad \u201cARTYSTA WOBEC HISTORII I TRADYCJI KULTUROWYCH\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"H\u00e9ctor <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nH\u00e9ctor Solari, REGARDING THE WAR<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tomasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTomasz Ciecierski, \u201eAbitare\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tomek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTomek Baran, \u201espiegel im spiegel\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ola <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOla Kozio\u0142 i Suavas Lewy \u2013 L\u0105dowanie. Jaka to wiadomo\u015b\u0107 \u2026?<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Maryam <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMaryam Mohammed Hassan \u201cThe Bewildered Masses\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wyk\u0142ad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWyk\u0142ad \u201eMa\u0142a historia performance\u2019u\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Performance: <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPerformance: ZANURZENIE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zbigniew <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZbigniew Roma\u0144czuk \u201eGrid System\u201d<\/span>\r\nZbigniew Roma\u0144czuk \u201eGrid System\u201d<\/span> <\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Grzegorz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGrzegorz Klaman \u201eRewolucja u Bram\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnna Maria Brandys  \u201eLudzie m\u00f3wi\u0105 nie p\u0142acz\u2026\u201d<\/span>\r\nAnna Maria Brandys \u201eLudzie m\u00f3wi\u0105 nie p\u0142acz\u2026\u201d<\/span> <\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MAGDALENA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMAGDALENA STARSKA \u2013 Burak Le\u0107<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"EMRAH <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEMRAH G\u00d6KDEMIR \u2013 S\u0104 REKINY, KT\u00d3RE PISZ\u0104 MI\u0141OSNE LISTY DO CIENI SAMOLOT\u00d3W SPADAJ\u0104CYCH DO MORZA \u2013 JEDEN SPO\u015aR\u00d3D NICH TO JA.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"RAFA\u0141 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRAFA\u0141 BORCZ STILL LIFE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarcin Krzy\u017canowski \u2013 Koncert 31.12.2014 r<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Witold <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWitold Lubiniecki \u2013 Impresje morskie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Fion <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFion Gunn \u2013 Turysta w czasie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zygmunt <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZygmunt Piotrowski \u2013 PRZESTW\u00d3R<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Lee <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nLee Seungjae \u2013 Brackets Ustka<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ronda <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRonda Bautista \u2013 \u201eLocal ice \u2013 cream\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Micha\u0142 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMicha\u0142 Hyjek \u2013 \u201ePasa\u017c Ma\u0142p\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""Intertidal <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eIntertidal stories\u201d Katrien Van den Brande<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Pawe\u0142 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPawe\u0142 Matyszewski \u2013 Kolejny dzie\u0144<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ahmed <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAhmed Ahmed Helmy \u201eSQUARE\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnna Alpatieva i Andrew Sakun \u2013 \u201eThe far is close\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jakub <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJakub Czyszczo\u0144 \u2013 Polityka Kurzu<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"25-lecie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n25-lecie pracowni Batiku<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u0141ukasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u0141ukasz Sosi\u0144ski \u2013 Wymazywanie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""AKTY" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eAKTY\u201d \u2013 performance<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"GRUPA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGRUPA \u201ePENDZLE\u201d \u2013 \u201eDESA NT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"GRUPA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGRUPA \u201ePENDZLE\u201d \u2013 \u201eObraz wobec obrazu\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna Majak \u201eKobiety mocy\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarcin Krzy\u017canowski Fucksoundage!<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech \u0106wiertniewicz \u201eCz\u0142owiek lub kamie\u0144 albo drzewo\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Mateusz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMateusz Sadowski \u2013 Wystawa Prac<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Monika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMonika Szwed \u201ePrzesilenia\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""Ostatni <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eOstatni element Puszki Pandory\u201d \u2013 Laura-Jane & Hildegard<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ewa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEwa Pe\u0142ka \u201ePi\u0105ty element\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Krzysztof <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKrzysztof Maniak \u201eZatrzymane\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Stanis\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nStanis\u0142aw Wolski \u201eZnaki szczeg\u00f3lne 2014\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Iza <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIza Moczarna-Pasiek \u201aKobieco\u015b\u0107? Pr\u00f3ba Re-definicji\u2019<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Pieregonczuk <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPieregonczuk Urszula \u201eParabellum Luger\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ola <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOla Kozio\u0142 \u201eSprz\u0105tanie domu\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Mleczne <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMleczne z\u0119by<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"JAKUB <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJAKUB CI\u0118\u017bKI \u201eblackout\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Agata <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAgata Michowska FOLLOWING 87, PRECEDING 89<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Konrad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKonrad Kuzyszyn \u201e\u0141adunki\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"IGOR <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIGOR PRZYBYLSKI \u201eUwaga! Poci\u0105g!\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ula <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUla Wiznerowicz Behind the Curtain<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Maria <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMaria Wro\u0144ska ,, \u2026\u2026\u2026\u2026\u2026 sam w\u0119drowa\u0142em po tym \u015bwiecie mroku.\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"J\u00f3zef <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJ\u00f3zef Robakowski \u201eSztuka to Pot\u0119ga !\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""Sztuka <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eSztuka vs wszystko inne\u201d \u2013 Performance<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Otwarcie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOtwarcie Centrum Aktywno\u015bci Tw\u00f3rczej w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Galeria <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGaleria Jednego Dnia \u201eNotatnik\u201d Krzysztof Przewo\u017any<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""Mikrokosmos"\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eMikrokosmos\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ola <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOla Kujawska \u201eIm bardziej d\u0105\u017cy ku wysoko\u015bciom, tym silniej korzenie ci\u0105gn\u0105 w d\u00f3\u0142\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Kamil <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKamil Kuskowski \u201emetr kwadratowy Pokoju\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Urszula <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUrszula \u015alusarczyk \u201eRUDYMENTY\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Aleksander <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAleksander Ryszka \u201eAll The Love Of The Universe\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Mateusz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMateusz Szczypi\u0144ski \u201eWyburzanie\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u201eNiepoprawna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eNiepoprawna sztuka peryferii. Nowocze\u015bni z Koszalina\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGaleria Jednego Dnia \u2013 Adam Mroczek<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarta Tomasik \u201eAnxiety moments\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"georgia <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\ngeorgia Krawiec \u201eEXodus\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ewa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEwa Juszkiewicz \u201eO czym si\u0119 nie m\u00f3wi\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Bartek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBartek Jarmoli\u0144ski ,,Zderzenia\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Rybie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRybie oko 7<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Bart\u0142omiej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBart\u0142omiej Otocki \u201eArchiwum otwarte\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Monika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMonika Dro\u017cy\u0144ska \u201eWycieczka\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Andrzej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAndrzej Szulc \u201eKilometry nieba\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"S\u0142awomir <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nS\u0142awomir Marzec \u201ewszystko \u2013 obrazy, collage, filmy, etc.\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Agata <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAgata Bielska \u201eOff-line, off-road\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech \u0141azarczyk \u201eNot Yet Remembered\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tomasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTomasz Sikorski \u201eYESNO\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Adina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAdina Bar-on Performance<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Valentina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nValentina Torrado VIENTOS NEGROS (CZARNE WIATRY)<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wystawa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWystawa prac artyst\u00f3w ze Schwabach \u201eARTrans\u2026fer\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dorota <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDorota Kozieradzka \u201ePo godzinach\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna Kujawska-Murphy \u201eStan wewn\u0119trzny\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Andrzej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAndrzej Wasilewski, Maria Wasilewska \u201eZap\u0119tlenie\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"B\u0142a\u017cej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nB\u0142a\u017cej OSTOJA LNISKI \u2013 \u201ePismo. Figura. Powt\u00f3rzenie\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Maks <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMaks Cie\u015blak \u2013 \u201eWideo\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech \u0106wiertniewicz \u201eSite Specific Painting\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Justyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJustyna G\u00f3rowska \u201eIris i Reks\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sabina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSabina Fabryczny<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ma\u0142gorzata <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMa\u0142gorzata \u0141ojko \u201eBIO\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\""Wiatr <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u201eWiatr nad ska\u0142\u0105\u201d Performance<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"DOM <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDOM Magdalena i Ludomir Franczak<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"...i <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u2026i zadziwi si\u0119 Europa pokaz trylogii filmowej Yael Bartany<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"(NO) <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n(NO) BODY (NO) SOUL (NO) ART BARTOSZ KOKOSI\u0143SKI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Annemarie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnnemarie Frascoli<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"EFEKT <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEFEKT PASA\u017bU<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MARIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMARIA WRO\u0143SKA \u2026 mnie\u2026 mi\u2026 nie?<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Iwona <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIwona Zawadzka 3 ODS\u0141ONY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Pawe\u0142 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPawe\u0142 Korbus Wszech NIC<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Norman <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNorman Leto SAILOR<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Paulina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPaulina Pocz\u0119ta PATRZ\u0104 NA CIEBIE OCZY \u015aWI\u0118TEJ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Mariusz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMariusz Tarkawian PRACE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRYBIE OKO 6<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"FASHION'S <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFASHION\u2019S OBJECT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ten <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTen bezmiar nieba<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u0141UKASZ <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u0141UKASZ G\u0141OWACKI OBRAZ OBIECANY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PAWE\u0141 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPAWE\u0141 CHAWINSKI \u201eWATER PAINTINGS (lub MALOWIDLA WODNE) I INNE SPRAWY\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Danuta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDanuta Rosa \u2013 Konstelacje<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Obrazy <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nObrazy (z) pami\u0119ci \u2013 Alternatywny bedeker S\u0142upska Kazimierz Ja\u0142owczyk \/ Ryszard Nowakowski \/ Krzysztof Tomasik<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"National <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNational Geographic<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Gra\u017cyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGra\u017cyna Tereszkiewicz GEOGRAFIA INTYMNA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Malarnia <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMalarnia \u2013 Warsztaty Artystyczne<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"RUSZTOWANIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRUSZTOWANIA SZTUKI Rafa\u0142 Jakubowicz, Jerzy Kosa\u0142ka i Kamil Kuskowski<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Justyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJustyna Kabala & Julita Malinowska GENDER PLAYS GENDER<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"BLUE\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBLUE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Bo\u017cenna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBo\u017cenna Biskupska Przeganianie my\u015bli. Po co.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Karolina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKarolina Wysocka ROB\u00d3TKI R\u0118CZNE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WARSZTATY <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWARSZTATY FILMOWE \u2013 FERIE 2010<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MARIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMARIA WRO\u0143SKA & MAREK KU\u015a IDEOGRAMY PUSTKI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"AGATA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAGATA AGATOWSKA RZE\u0179BA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"KILKANA\u015aCIE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKILKANA\u015aCIE KOAN\u00d3W NA (NIE)ISTNIENIE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zapomniane <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZapomniane pokoje<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Krzysztof <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKrzysztof Tomasik Clubbing<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Joanna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJoanna Wowrzeczka La Mis\u00e8re du monde (N\u0119dza \u015bwiata)<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Paulina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPaulina Sadowska WONDER WONDER LAND<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Moja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMoja Ulica 2<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u015awiat <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u015awiat w obiektywie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MAGDA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMAGDA HUECKEL Transformacje<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Andrzej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAndrzej Le\u015bnik PISMO OBRAZU<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ryszard <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRyszard Nowakowski (SAS) FILI\u017bANKA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Maria <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMaria Wro\u0144ska \u2026 a szepty wznosz\u0105 si\u0119 coraz ciszej, ciszej\u2026<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Pawe\u0142 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPawe\u0142 Dutkiewicz light blue<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ryszard <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRyszard \u0141ugowski MI\u0118DZY ZIEMI\u0104 A PIEK\u0141EM<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marcin <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarcin Berdyszak Konstytucja \/ Po Jasperze Johnsie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Kazimierz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKazimierz Ja\u0142owczyk PORTRET IMAGINACYJNY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jacek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJacek Jagielski TRYPTYK<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarek Ku\u015b PRACE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Alfabet <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAlfabet Sztuki<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"KOMUNIKACJA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKOMUNIKACJA PRZESTRZENNA Arkadiusz Karapuda Igor Przybylski \u0141ukasz Rudnicki<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"OLA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nOLA KUJAWSKA \u201emie\u0107 skorup\u0119 i pi\u0119kny poz\u00f3r\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnna Tyczy\u0144ska CIENKA B\u0141\u0118KITNA LINIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jacek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJacek Ryka\u0142a Andrzej Tobis Ireneusz Walczak tableau\u2026 mowa wygnana<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MARTA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMARTA DESKUR Mi\u0119dzy innymi i o kobiecie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"warsztaty <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nwarsztaty plastyczne z okazji Dnia Dziecka<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Agata <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAgata Michowska JOSEPHINE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech \u0141azarczyk To czego nie by\u0142o. To czego nie b\u0119dzie.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Irena <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIrena Zahorska PORTRETY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"warsztaty <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nwarsztaty integracyjne TUTAJ JESTEM<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u0141ukasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u0141ukasz Rudnicki OTO ATAK<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"warsztaty <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nwarsztaty integracyjne TUTAJ JESTEM<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"DZIECI <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDZIECI DZIEL\u0104 SI\u0118 NA CZYSTE I SZCZ\u0118\u015aLIWE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTUTAJ JESTEM<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ewa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEwa Zawadzka SIGNUM TEMPORIS<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marcin <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarcin Roszkowski No 18<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MOJA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMOJA ULICA warsztaty filmowe<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"BEATA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBEATA STANKIEWICZ single<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ustka <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUstka Sztuki<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Izabella <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIzabella Gustowska HOLIDAY SOUVENIR<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Valentina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nValentina Torrado (Montevideo, Uruguay) Alfredo Mena (Zaragoza, Spain) Je suis<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MIEJCE <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMIEJCE DO MIESZKANIA, MIEJSCE DO KOCHANIA\u2026<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Szymon <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSzymon Kobylarz Niesamowite Jonoloty Antygrawitacyjne<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"koncert <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nkoncert LESZKA D\u0141UGOSZA wystawa rysunk\u00f3w Janusza Kapusty<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPiotr C. Kowalski & Witold Lubiniecki MO\u017bE MORZE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Karnawa\u0142 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKarnawa\u0142 Cyborg\u00f3w Humani\u015bci i arty\u015bci o maria\u017cu cz\u0142owieka z technologi\u0105.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SUMA=R\u00d3\u017bNICA\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSUMA=R\u00d3\u017bNICA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Miho <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMiho Iwata NIEWIDZIALNE MIEJSCA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"NA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNA POCZ\u0104TKU BY\u0141O PISMO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MEDIUM... <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMEDIUM\u2026 POST\u2026 MORTEM\u2026 (Wolumin II)<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ewa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEwa Zarzycka MA\u0141E ROZDZIA\u0141Y O DU\u017bYM ZNACZENIU<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Stanis\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nStanis\u0142aw Koba DOBRA I Z\u0141A NOWINA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SKIN <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSKIN AND BONES<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ryszard <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRyszard Tokarczyk SYMPTOMY I STANY BYCIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech Gilewicz ONI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Miros\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMiros\u0142aw Jaruga GAJA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"S\u0142awomir <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nS\u0142awomir Brzoska CHESED<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"TUTAJ <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTUTAJ JESTEM<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"14. <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n14. Komeda Jazz Festival<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tomasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTomasz Mazur<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech Zasadni<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ewa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEwa Pe\u0142ka \u2013 Moja Przestrze\u0144<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Grzegorz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nGrzegorz Przyborek \u2013 FOTOGRAFIE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Agnieszka <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAgnieszka Szreder \u201ePrzegl\u0105d 2003-07\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarek Radke ArtSpace<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Adam <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAdam Sikora Przestrzenie Giganta<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Arkadiusz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nArkadiusz Karapuda Okolice Cz\u0142owieka<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Eugeniusz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEugeniusz Papierowski<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Forma <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nForma jest Pustk\u0105 Pustka jest Form\u0105<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojtek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojtek Kubiak \/ Lidia Krawczyk PASYWNE. WI\u0118ZY RODZINNE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Urszula <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUrszula \u015alusarczyk malarstwo<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"5. <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n5. Objazdowy Festiwal Filmowy WATCH DOCS. Prawa Cz\u0142owieka w Filmie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Waldemar <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWaldemar Wojciechowski OBRAZY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Andrzej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAndrzej Ciesielski Malowanie i Rysowanie VIII<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anita <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnita Pasikowska 5 dni w Ustce<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Basia <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBasia Ba\u0144da, Micha\u0142 Jankowski, J\u0119drek Jeschke, Jakub Olejarczyk, Seweryn Swacha, Rafa\u0142 Wilk JE\u017bELI NIE UMARLI TO PEWNIE JESZCZE \u017bYJ\u0104<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Lech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nLech Majewski OPOWIE\u015aCI OKA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna Kmita WYCINANKI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ewa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEwa Zarzycka NA KRAW\u0118DZI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"REkoNESANS <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nREkoNESANS MALARSTWA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Andrzej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAndrzej Cisowski OBRAZY CISANE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sesja <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSesja Manifestacje<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Aleksandra <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAleksandra Kot BA\u015aNIE Z TYSI\u0104CA I JEDNEJ NOCY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Malwina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMalwina Rzonca KOSMICZNE OBRAZY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Karolina <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKarolina Zdunek OBRAZY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ewa <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEwa Zarzycka Alfabet wizualny<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"XIII <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nXIII KOMEDA JAZZ FESTIVAL<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Magdalena <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMagdalena Gryska podejd\u017a bli\u017cej\u2026<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jaros\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJaros\u0142aw \u0141ukasik KONTEMPLACJE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Igor <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIgor Przybylski POLSKIE DROGI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Rafa\u0142 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRafa\u0142 Leszczy\u0144ski KOLOR i kompozycja fotograficzna<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEliza Galey DEPRESJA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Aga <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAga Migda\u0142ek CZ\u0141OWIEK \u2013 KOMPUTER \u2013 SIE\u0106<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Szymon <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSzymon Parafiniak MUZA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Aleksandra <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAleksandra Went & Alicja Karska NIE MA RZECZY ZUPE\u0141NYCH<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jacek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJacek D\u0142u\u017cewski KSI\u0118\u017bYCOWI PODR\u00d3\u017bNI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"NIEWYGODNIE\" <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNIEWYGODNIE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sympozjum <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSympozjum Realno\u015bci Poetyckich<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"S\u0141AWOMIR <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nS\u0141AWOMIR MARZEC<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"HOMO <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nHOMO ANOBIUM \u015bw. FRANCISZEK 100% RZE\u0179BY 1680-1985<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marian <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarian Panek PARA DY III<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarek Jakuszewski WRZECIONO CZASU<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"To <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTo wszystko mi si\u0119 wydaje Anna i Adam Witkowscy<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech \u0106wiertniewicz BLOG, 1999-2005<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarcin Krawczuk ZESTAW SW\u00d3J ZESTAW<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Edward <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEdward Dwurnik PODW\u00d3JNIE, POTR\u00d3JNIE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"BETTINA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBETTINA BERE\u015a MISKI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marcin <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarcin K\u0119dzierski Miejsce zamieszkania<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"MAREK <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMAREK GLINKOWSKI (\u2026) Polska 1 po\u0142. XXI w.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna Skrobiszewska NIC TRWA\u0141EGO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Krzysztof <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKrzysztof Musia\u0142 ALGEBRABURA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"S\u0142awomir <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nS\u0142awomir Lipnicki Olimpiada<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Agnieszka <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAgnieszka Ro\u017cnowska R\u00d3WNOWAGA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarek Zygmunt PIRAMIDA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Agata <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAgata Dworzak POP<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Uwaga <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nUwaga Berlin!<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Piotr <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPiotr Kurka OBIEKTY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Piotr <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPiotr Wachowski MALARSTWO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna G\u00f3rna & Jan Pieni\u0105\u017cek TERMINAL jako przestrze\u0144 kompromisu<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u0141ukasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u0141ukasz Fruczek \u201eBEZ TYTU\u0141U\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"KAMIL <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKAMIL KUSKOWSKI BARWY KLUBOWE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wac\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWac\u0142aw Kuczma Nie wiem sam, nie wiem<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Wojciech <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech Stefanik ZN\u00d3W BLI\u017bEJ KO\u0143CA, CZYLI RACZEJ NIC NOWEGO oraz performance RACZEJ NIC NOWEGO, CZYLI ZN\u00d3W TANIE CHWYTY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAlicja \u0141ukasiak MIEJSCE KONTEMPLACJI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marian <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarian St\u0119pak \u017b Y W O T Y<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Adam <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAdam Garnek POJAZD, MACHINA, URZ\u0104DZENIE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"PAWE\u0141 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPAWE\u0141 \u0141UBOWSKI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Miros\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMiros\u0142aw Jaruga FORMA BYTUJ\u0104CA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Krzysztof <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKrzysztof Gliszczy\u0144ski TRZY PRZESTRZENIE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SPOTKANIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSPOTKANIA EZOTERYCZNE 4<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ji\u0159i <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJi\u0159i Sur\u016fvka<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Konrad <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKonrad Kuzyszyn<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Magdalena <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMagdalena Bielesz LEKCJA P\u0141YWANIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Magdalena <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMagdalena Surzyn DRYBLING<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMieczys\u0142aw Wejman 1912-1997 GRAFIKA I MALARSTWO z kolekcji Muzeum Sztuki Wsp\u00f3\u0142czesnej w Radomiu<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWojciech Leder OBRAZY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Mariusz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMariusz Stanowski PLA\u017bE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ma\u0142gorzata <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMa\u0142gorzata Dobrzyniecka-Kojder MALARSTWO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Mieczys\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMieczys\u0142aw Ko\u015bcielniak (1912-1993) PORTRETY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPawe\u0142 Ksi\u0105\u017cek MAKING IMAGES \/ MALARSTWO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"El\u017cbieta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEl\u017cbieta Jab\u0142o\u0144ska Help Yourself<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Monika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMonika Grzesiewska \u201ejedyna sensowna my\u015bl\u2026szcz\u0119\u015bcie\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Kuba <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKuba B\u0105kowski PRACE MALARSKIE I TESTY LOTNICZE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Witold <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWitold Lubiniecki POD \u017bAGLAMI ZAWISZY CZARNEGO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Leszek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nLeszek Lewandowski GABINET ODNOWY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarek Zygmunt \u201eMandala\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Piotr <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPiotr Luty\u0144ski RDZE\u0143 OBRAZU<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Roman <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRoman Timofiejuk W E D U T Y<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"malarska <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nmalarska grupa SAM<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Krzysztof <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKrzysztof Wr\u00f3blewski \u201eObrze\u017ca \u2013 S\u0142upsk \/ Ustka\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Artur <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nArtur \u017bmijewski prezentacja film\u00f3w wideo<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SZTUKA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSZTUKA GEOMETRII z kolekcji Muzeum Sztuki Wsp\u00f3\u0142czesnej w Radomiu<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Barbara <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nBarbara G\u0119bczak-Janas MORZE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"M\u0142odzi <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nM\u0142odzi Zdolni<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zdzis\u0142aw <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZdzis\u0142aw Nitka<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SPOTKANIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSPOTKANIA EZOTERYCZNE 3<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ryszard <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRyszard \u0141ugowski<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"figuranci <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nfiguranci m\u0142ode malarstwo z kolekcji Magazynu Sztuki ARTeon Rafa\u0142 Jakubowicz dicke Luft<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Hanna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nHanna Nowicka-Grochal THE PLEASURE OUT OF REACH Przyjemno\u015b\u0107 poza zasi\u0119giem<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dominika <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDominika Krechowicz DOUBLE TIME<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Andrzej <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAndrzej Szulc LI TYLKO GRZESZNIKIEM JESTEM<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dorota <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDorota Podlaska PIEK\u0141O \/ NIEBO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Sylwester <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSylwester Ambroziak WYSTAWA RZE\u0179BY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Krzysztof <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKrzysztof Cybulski G R A F I K A<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"S\u0142awomir <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nS\u0142awomir Toman Przedmioty<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarek Sobczyk ARKA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jan <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJan Berdyszak PASSE-PAR-TOUT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"S\u0142awomir <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nS\u0142awomir Brzoska C O R P U S S U B T I L E<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"S\u0142awek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nS\u0142awek Sobczak \u2013 Monitoring 02<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"NA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nNA ZEWN\u0104TRZ \u2013 WEWN\u0104TRZ<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"ARTUR <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nARTUR GOGO\u0141KIEWICZ Wystawa instalacji i obiekt\u00f3w<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"\u015aWIAT\u0141O <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n\u015aWIAT\u0141O \u2013 S\u0141OWO \u2013 MIT<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Witold <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWitold Lubiniecki LOFOTY \u2013 NORWEGIA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"projekt <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nprojekt \u2013 TO CO WIDZ\u0118<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tomasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTomasz Doma\u0144ski OBIEKTY, VIDEO-DOKUMENTACJA<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SPOTKANIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSPOTKANIA EZOTERYCZNE 2<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SZTUKA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSZTUKA PRZEZ DU\u017bE G czyli obrazy i rze\u017aby, kt\u00f3rych nigdzie nie mogli\u015bmy pokaza\u0107.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Anatomie <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nAnatomie Mroku<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"IKONS <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nIKONS (IKONY) Kijewski \/ Kocur<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dariusz OBIEKT CIA\u0141A\"> <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDariusz Gorczyca MASZYNA -> OBIEKT CIA\u0141A<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Dominik <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nDominik Lejman<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarek Targo\u0144ski OBIEKTY POCHODNE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WRO <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWRO 01 \u2013 EKRANY \/ SCREENS<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Tomasz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nTomasz Ciecierski Malarstwo<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Obraz <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nObraz \u015awiata \u2013 \u015awiat Bez Wojen<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Ryszard <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nRyszard G\u00f3recki \u201eNOW\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Marcin <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMarcin Paw\u0142owski RYSUNKI \u2013 PROCESY<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Jacek <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nJacek Ziemi\u0144ski \u2013 Malarstwo<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"El\u017cbieta <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nEl\u017cbieta Wernio \u2013 PLAKATY TEATRALNE & Jacek Szewczyk \u2013 RYSUNKI<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Zuzanna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nZuzanna Janin \u201eMOJA PAMI\u0118\u0106\u201d<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Katarzyna <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nKatarzyna Kozyra pt. \u201e\u015awi\u0119to wiosny\u201d.<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Maria <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nMaria Pini\u0144ska-Bere\u015b 1931 \u2013 1999<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"POZA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nPOZA POSTMODERNIZM Micha\u0142 Gos \u2013 Marek Rogulski Rogulus \u2013 Marek Targo\u0144ski \u2013 Marek Zygmunt<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"SPOTKANIA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nSPOTKANIA EZOTERYCZNE<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"LESZKA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nLESZKA KNAFLEWSKIEGO<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"Fotografia <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nFotografia w oczach dziecka niepe\u0142nosprawnego intelektualnie<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"O <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nO RYSUNKU<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"WYSTAWA <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\nWYSTAWA MANDALI Haliny Szejak vel \u017beak<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n
\r\n \r\n\r\n\r\n\r\n\"7 <\/span>\r\n<\/span>\r\n<\/span>\r\n<\/span>\r\n\r\n7 grafik\u00f3w krakowskich<\/span>\r\n<\/span>\r\n<\/span>\r\n<\/a> <\/div>\r\n\r\n
<\/div>\r\n<\/div>\r\n<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Frakcja \/ grupa artystek Monika Czarska Roksana Kularska-Kr\u00f3l Alicja Kujawska Anka Les\u0301niak Aurelia Mandziuk \/ Prezentacja projektu \/ 22.09.23 WEEKEND SENIORA Z KULTUR\u0104 \/ 29.09. \u2013 01.10.2023 Marta Frej \/ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1131","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/pages\/1131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/comments?post=1131"}],"version-history":[{"count":4,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/pages\/1131\/revisions"}],"predecessor-version":[{"id":1135,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/pages\/1131\/revisions\/1135"}],"up":[{"embeddable":true,"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/bgsw.pl\/strona-archiwalna\/wp-json\/wp\/v2\/media?parent=1131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}